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  • Andrew S.

The perfect camera doesn't exist

... and if it does it's backordered until...?

I've been eying the new line of Sony cinema cameras for the last couple years. And it is pretty murky when you start to compare the three mid level options - the Fx3, the Fx6, and the Fx9.

Sony FX3 - $4999 CAD (body only)

Sony FX6 - $7999 CAD (body only)

Sony FX9 - $14,649 CAD (body only)

"why is it murky, they all look so different?" you ask?

Because it seems like camera manufacturers know how to perfectly craft their specs to make you equally have FOMO for all 3 of them. One of my favourite YouTube camera reviewers is the guy from the Camera Conspiracies channel. As his name suggests, perhaps it IS all a conspiracy. After all, if the perfect camera existed then they'd have nothing more to sell us.

But hollow conspiracy theories aside, the thing is... they're all great cameras and are fairly equal in a lot of ways. They all have different use cases for different types of shooters. The Fx3 is great for vloggers or low budget videographers who want a small crew, or people on tighter budgets. The others are for mid to large scale production houses and are comparable to the older Fs7s. But like I said above, they're all fairly equal, so why the extreme differences in price and why is one camera so much in-demand (ahem... the fx6), while the others are chop liver?

The first obvious differences are the sizes - Fx3 being the smallest with it's mirrorless DSLR style body, to Fx9 being the larger ENG style body. But other than that and a few technical differences that 90% of content creators or filmmakers wouldn't even need, I feel like they're all virtually the same camera on the inside.

I know that's an extreme glossing over of the technical specs. But I'll break down the specs that are most of interest to me, in my search for the perfect camera - as someone who likes run and gun doc, or film work, and doesn't like large crews:

Sensor size

Fx3 - 4K full frame CMOS sensor

Fx6 - 4K full frame CMOS sensor

Fx9 - 6K down scaled to 4K full frame CMOS sensor (better megapixels, but it's still 4K) -WIN ... 1 point awarded

Auto-focus capability

Fx3 - Yes (plus touch screen tracking which is nice sometimes) - WINS... 1 point awarded

Fx6 - Yes (but NO touch screen tracking)

Fx9 - Yes (but NO touch screen tracking)

Image Stabilization

FX3 - Yes (Sensor-shift, 5 axis) - WINS... 1 point awarded

FX6 - No

FX9 - No

Built in Neutral Density Filters

Fx3 - No - HARD LOSE

Fx6 - Yes, with Auto Variable ND!! - TIE ... 1 point awarded

Fx9 - Yes, with Auto Variable ND!! - TIE ... 1 point awarded

Dynamic Range

Fx3 - 15 stops - TIE

Fx6 - 15 stops - TIE

Fx9 - 15 stops - TIE

Media Options

FX3 - SD card (cheap) - TIE ... 1 point awarded

FX6 - SD cards (cheap) - TIE ... 1 point awarded

FX9 - QXD cards (Very not cheap!)

Cost (body only)

Fx3 - $4999 CAD - WIN... 1 point awarded

Fx6 - $7999 CAD

Fx9 - $14,649 CAD - OUCH!

SDI outputs

Fx3 - No

Fx6 - Yes - TIE ... 1 point awarded

Fx9 - Yes -TIE ... 1 point awarded


Fx3 - In stock during supply shortages - WIN ... 1 point awarded

Fx6 - Not in stock anywhere, Massive backorders.

Fx9 - In stock some less trustworthy sources like eBay, but no one should buy a $15,000 camera on eBay.

Anyway, I wasn't planning on adding these points up - My gut tells me that the Fx6 is the best bang for your buck. With the variable and auto ND, plus great autofocus features (despite no touch tracking), I think it is worth the extra 3 thousand over the Fx3.

And so does everyone else apparently, because it's impossible to get anywhere!

But then again, an original 4K Sony Fs7 mark 2 (originally released in 2014) can be picked up used these days for abut $5000 CAD... That's starting to sound like a heck of a deal, when you think that the Fx6 is very comparable in specs to the Fs7 which is still a powerhouse in the industry to this day, and can be grabbed for the price of an FX3.

Oh also, due to the lack of Fx6 availability, people are scalping used Fx6's on Ebay for $10,000 CAD or more.

I'd wait if I were you.

44 views1 comment



It's a small comfort knowing you can’t really pick a loser in this race. Almost every consumer-grade digital camera available today is a better option than the professional ones we started our careers with. Tech specs aside, the only “perfect camera” is the one you’ve got recording when the “perfect shot” appears in your frame. Thanks for sharing. More blogging, please!

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